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Thursday, March 10, 2011

{how to: lovely ombré napkins}

simply-sophisticated-hed
ombre-napkins1
. . . while it may still be a little too soon for
mid-afternoon picnics, have always loved to plan ahead {just a little}, and what could be lovelier on an early spring day than the prettiest pastel-coloured napkins alongside pink champagne and crème brûlée?

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{you will need:}

* white fabric napkins (it's nice to have a few extra for testing)
* several glass cups / jars (tall enough to dip the napkins in, one for each color)
* wooden paint stirrers or pencils
* paint brushes
* scrap paper strips (if you have scrap white fabric, even better)
* clothespins
* rubber gloves
* paper towels
* rit fabric dye
{you will need very little dye, so boxes are preferable to the bottle size; choose whatever colours look pretty to you and a range of similar colors if you wish to mix shades}

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{steps:}


1. fold napkin into the shape you want it to be in when it's finished; clip the top with two clothespins (so you can pick it up later without getting any stray dye on it) then put it aside

2. line kitchen counter with paper towels or other protective gear; fabric dye will stain things like wood and hands, so be certain to wear gloves

3. fill a jar with hot water (roughly to the height you want it on the napkin), then add a pinch of fabric dye; the dye is potent, so use just a few crumbs; stir until the dye is well mixed, then dip a piece of scrap paper to test how dark the dye is; keep mixing dyes until you get a shade you like, testing with paper as you go

4. dip the napkin quickly several times, first with the lightest shade, then mixing the dye darker and dipping again, a little lower on the napkin each time; rest the napkin on paper towels in the sink in between dye sessions; as an alternative, you can also dip a paintbrush into the dye and paint the napkin for a bolder look; the dye is really quite forgiving, so have fun experimenting

5. when all the napkins are finished, air dry flat on the counter

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{p.s.} previous how-to's:
* a pretty peony bouquet
*
a classic english hand-tied bouquet
* a driftwood table lamp
* a side chignon
* a guide to champagne


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{also new today:}
* runway inspiration: valentino, paris
* table for two: meringue-encased lemon cakes


{all images via once wed; instructions via emily at once wed}


Launch Party for the TBEX Los Angeles Chapter...


Travel bloggers in Los Angeles or those heading to Los Angeles later this month can attend the TBEX LA Chapter Launch Party at the historic Millennium Biltmore Hotel just before the LA Times Travel and Adventure Show.

The event is hosted by co-chairs, JohnnyJet and Jen Miner of the Vacation Gals.

This event is open to all travel bloggers, writers and travel industry folks. More info and updates from the co-chairs
and other fun stuff can be found on the TBEX LA Chapter Tumblr.

CustomerUnderground is mad as hell and low cost carriers are to blame

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Over at the CustomerUnderground I posted a 5,500 word rant about my living, loving and hating Dell. CustomerUnderground co-founder "Higherthanexpectedcallvolumes" has posted a piece that might interest you. He has put up an old school customer I've-had-enough-a-thon about the low cost carrier business. The trigger the story of a nurse who tried to help another passenger on a Jetstar flight. As a result she missed her return journey and Jetstar tried to charge her to rebook her flight.

Check out the rant here - it is called "Why do Low Cost Airlines Hate their Passengers (and What Do We Do About it)?"

NYT: Paolo Pellegrin's The Exodus From Libya

Photo © Paolo Pellegrin/Magnum-Courtesy The New York Times
The New York Times just featured a photo essay titled
Scenes From The Libyan Exodus of Paolo Pellegrin's splendid black & white photographs made in Ras Ajdir of immigrant workers fleeing the erupting violence in Libya, and streaming into Tunisia. This is one the best photo essays I've seen out of Libya.

It reports that some 75,000 migrant workers, mostly male Egyptians, were trying to pass through the checkpoints that separate Libya and Tunisia, overwhelming the latter country's meager infrastructure.

I chose Pellegrin's above photograph to feature along this post because, in my view, it's the most powerful of the lot. Perhaps it's the sight of the Egyptian passport in the hand of the migrant that influenced me. After all, I had one just like that years ago.

Pellegrin's is quoted as saying that while Ras Ajdir is desperate, it "isn't a panic in the terms of what we saw in Kosovo or the scenes of Congo, with women and children. These are all able men."

Thankfully for these men, that's entirely true, but let's not lose sight that each of these migrants supports an extended family in Egypt where the current situation is difficult...and returning home to a long period of non-existent employment will cause significant difficulties for them and for their country.

Teerayut Chaisarn : The Sufis of Gujarat

Photo © Teerayut Chaisarn-All Rights Reserved

Photo © Teerayut Chaisarn-All Rights Reserved

Photo © Teerayut Chaisarn-All Rights Reserved

Teerayut Chaisarn is a young emerging photojournalist/photographer and Photoshop artist from Chiang Mai in Thailand.  He was one of the 6 participants in my In Search of the Sufis of Gujarat Photo Expedition™ a few weeks ago, and featured a number of galleries on his
personal website. Some of the photographs in his The Religion of Islamic Sufis In Gujarat gallery are toned, while others are not. The photographs are also less portrait-biased than those in his first gallery, which he titled Faces of India.

You'll find some brilliant images in Teerayut's galleries...I haven't put it in this post, but the one of the elderly man in a mosque with the sun filtering through the intricately-worked jalis is a beauty...so look it up. I'm sure you'll agree.

Teerayut started photographing about 4 years ago, and is largely self-taught. He started work as a photographer on the magazine staff of his hometown, but preferred to become a freelance photographer. He also applied his Photoshop post processing expertise to assist various Thai professional photographers, and processes their portfolios. He worked on various occasions with Steve McCurry in Thailand.

Most of his galleries in his portfolio are post-processed, and while some may find these over-worked, it's a style which finds favor amongst many in Asia.