{two lovely things: open shelves & elegant black}

. . . while lately have been favouring wallpapered cabinets, {especially in romantic spring florals}, had forgotten how classically beautiful shades of onyx and midnight can be for showcasing stacks of beautiful books and antiques, or a collection of everyday dishware and fine china, and adore how strikingly lovely the palest pink of the roses and stacks of gold-rimmed teacups look against such a background . . .

{p.s.} more black shelving


{images: 1 - patrick cline for lonny; 2 - high gloss}

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{hair how-to: sexy & tousled}

. . . before dashing out the door with a latte and mile-long to-do list, a very favourite way to wear my hair {besides a chignon, of course!} is in soft, loose waves, a little tousled, a little sexy and a little '70s -- wonderful for the work-week, but especially so for the weekend, but whether it's a downtown lunch meeting or a late sunday brunch, it's always perfect for breezy april days . . .

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b e f o r eoy o uob e g i n,op e r f e c tot h eos e t
three essential steps, for just enough volume & bounce to be the building block of any style:

o n e
begin with freshly shampooed hair, for a beautiful, natural shine

t w o
massage volume & body mousse through the roots, then blow-dry hair smooth, using a large round brush if your hair is naturally curly, or a paddle brush if your hair is naturally straight

t h r e e
for body, you can use hot rollers, velcro rollers, or a large curling iron; for a curling iron, randomly twist slices of hair around the barrel and carefully pin up until cool, and you're set for any of the sexy, tousled styles below...




e a s y t w i s t
a ponytail on top, pulled up in the back, then turned over on itself like a bun--but only half done; one elastic band (and a couple of pins if your hair is really thick) should do the trick





u n d o n e u p - d o
a random parting, a few loose tendrils left out and a tiny bit of back-brushing on the crown, gently lift the top and sides, ease it all back and hold with an elastic band





s o f t b u n c h e s
let hair fall into a natural, off-centre part, then gather the lengths into two ponytails and fasten very loosely with ribbon just below the shoulders







n a t u r a l b o d y
or, if your prefer, for an even less laboured look, after hair is set, simply brush out just enough that it looks a little lived-in, being careful to not straighten ends, keeping a few relaxed a curls

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{p.s.} previous how-to's:

h a i r
* a side chignon
* a classic chignon
* a double-knot

e v e r y t h i n g e l s e
* a braided brass hex nut bracelet
* a sweet nothings garland
* a classic english hand-tied bouquet
* summery ombé napkins



{images: fashion editorial, the big easy; model: lindsay lullman at next models, london; photographer: simon emmett; creative director: charlotte-anne fidler; hair: sam mcknight at premier; makeup: mary greenwell at premier; nails: andrea fulerton at emma davis via fashionising}

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{this is glamorous in high gloss magazine}

. . . hello! feels as if this week is positively whirling by and in the midst of projects and too many cups of coffee and stunningly exciting plans, had nearly forgotten that the second issue of high gloss magazine came out today, and already it is a favourite, for aside from the elegant open shelves and palest pink rooms with glimmery venetian glass mirrors, in this particular issue, was perfectly delighted to be included in the "blogger we love" feature, and to answer a few fun questions . . .






>>> click here to read the interview {page 17}

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* a million thanks to paloma & everyone at high gloss x

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The Revolution Thru The Lens of Fady Ezzet, An Egyptian Photojournalist

I've featured the work of young Egyptian photojournalists working for the local newspapers, who not only documented the Tahrir uprisings, but who also participated in the revolution.

For why I'm doing this, you can read my earlier post The Revolution...This Time Through The Lenses Of Home-Grown Egyptian Photojournalists.

This is the fourth and last part in the series, and is the work of Fady Ezzet, an Egyptian photojournalist who also works for El Shorouk Newspaper. He graduated from Cairo University, and is a full time photojournalist.

Having followed the series, I noticed that Fady's images are more in the thick of violence than the others. I presume being a male allowed him to take more risks than the other three women.

For each slideshow in the series, I chose the popular "Enta Omri" or "You Are My Life" from the repertory of the legendary Um Kulthum, the Egyptian singer who was the incomparable voice of her country. I owe the idea to a wonderful multimedia essay titled Spring by Shirin Neshat in the New York Times, who also used it as a metaphor for the revolution.

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